Mar 21, 2018

This post takes the place of the deleted "Desire and Fulfillment..." post

On the Movement of Experience as Time

We may analyze experience into five basic factors that integrate to form assemblages: (intentional) objects, feelings, perceptions, narratives, and awareness.

The collusion of any them--past, present or future; internal or external; explicit or implicit; common or sublime--is here termed an assemblage.

Assemblages may be seen as an organization of the factors, i.e., both the structure and content of all conventional experience.

These assemblages, for most of us, function as the targets of craving, invariably accompanied by a self-sense.

The factor that organizes the others is narrative. Narrative organizes perception, consciousness (or awareness), objectivity, and feelings (body). Again, the organizations are here called assemblages.

Narratives are, in the linear sense, historically constituted. Their intentional structure and content are formed by a process of deposition, as in geological deposition, wherein the past shapes a present inclusive of circumstantial conditions that also lend to its intentional, future-oriented composition.

All narratives are vectorial. It is helpful to consider the depositional character of narratives as frames that are inclusive of each moment of present circumstances as well as all prior deposits also shaping that present moment as well. (More should and will be said of narratives but we will have to wait for more appropriate time and place--assemblages.)

Assemblages are temporal in two senses: 1.) the sense that they derive from the past in the present toward an intended future, i.e., they are vectorial; 2.) in the sense that they are ephemeral.

Assemblages are evanescent and, in conventional experience, attended by a self-sense, also evanescent.

An assemblage, when with its attendant self-sense, is a necessary condition for attachment, aversion, or indifference to arise. An assemblage is also a necessary condition for the various modalities of self-senses to arise in the forms of I, me, and mine. Identification with, relationship to, and possession of
the assemblages are the general forms of self-sense composition and manifestation.

A self-sense may be said to be the bearer of the craving-assemblages. They are concomitant, in all but a few cases, with dissatisfaction ranging from cravings for continuing pleasure, to aversion, indifference, stress, to extreme suffering--despite the evanescent nature of the self-sense.

This apparent continuity of the self-sense is due to the similar intentional content of the evanescent narratives organizing the factors providing cohesion.by association. This processual movement of similar self-sense bearing narratives is time itself.

Experience is time.*







*As always, the foregoing is subject to modification.

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